Lynn Sondag
Lynn Sondag uses landscape painting to explore the ways we assign aesthetic value, and a sense of belonging, to our every day environments. For over twenty years she’s recorded the landscapes and neighborhoods in the U.S., India, Nepal, Italy, and Denmark.
“ The new series of artworks [see pages 3 & 4] draws inspiration from my contemplative evening walks. I’m particularly captivated by the native plants, like Bay laurels, that adorn the paths surrounding Mountain Lake and the 15th avenue Lobos Creek overlook. As the sun sets, these plants create striking silhouettes against the luminous evening sky.
My artistic journey in this series began with meticulous studies using white pencil on black paper. This allowed me to intimately explore and appreciate the intricate details of these organic shapes. I then transitioned to watercolor, which opened up exciting opportunities to play with vibrant colors and intricate execution. Capturing the layering, overlapping, and constant dance of the wind demanded intense concentration.” -Lynn Sondag
Ms. Sondag received her BFA in Painting from the Savannah College of Art and Design, cum laude, in 1990, and her MFA in Painting, with honors, from the California College of the Arts (CCA) in Oakland in 1997. She is a Professor of Studio Art in the Department of Art, Art History, and Design at Dominican University of California where she applies her extensive and varied background in arts education and community-engaged art.
Lynn Sondag: Cityscapes review by DeWitt Cheng
If the title of this exhibition, Cityscapes, suggests panoramic views from some of San Francisco’s new apartment towers looming over its boarded-up street businesses, the subject matter of Lynn Sondag’s lyrical watercolors, however, is more bucolic. Sondag focuses on the northwest quadrant of San Francisco where she lives, and, to use John Muir’s terminology, saunters, with an observant eye. San Francisco—ineffaceably dubbed The City by San Francisco Chronicle columnist Herb Caen—is still a walker’s town, and these paintings reflect the artist’s strolls around the Richmond District, Lake Street, Seacliff, The Presidio, Mountain Lake Park, Crissy Field, and Baker Beach. Cityscapes comprises thirty-plus paintings from several series executed during the past twelve years, concluding with the Lake Street series from 2020, depicting scenery only a block or two from Avenue 12 Gallery.
Sondag, a professor of art at Dominican University, grew up in the Midwest, and brings her love of nature to the Bay Area, famously rich in natural beauty and distinctive architecture. While the viewpoint of the paintings and their fresh immediacy suggest a plein-air, on-site painting practice, Sondag works from reference photographs, reconstructing the scenes in her studio. (Photographers will note that her framing has the modern 2:3, 3:4 and 9:16 aspect ratios.) But there is nothing photorealistic about her loose, atmospheric renderings which seem to record her feelings about the scene as much as the facts of weather, architecture and foliage. The art historian Barbara Novak, describing the conflict in early American painting between realist and Transcendentalist impulses, between objective and subjectivity, cites the painter Thomas Cole, who worked from memory, trying to “get the objects of nature, sky, rocks,, trees, etc. as strongly impressed on my mind as possible … [B]y looking intensely on an object for twenty minutes I can go to my room and paint it with much more truth than I could if I employed several hours on the spot…. I become more intimately acquainted with the characteristic spirit of nature than I could otherwise do.”
If photography serves as Sondag’s sketch book, replacing Cole’s twenty-minute fixed gaze, the sense of place must surely be recorded in the artists’ visual memory, or, in Wordsworth’s words, “that inward eye/Which is the bliss of solitude.” While watercolor is the perfect medium for recording color effects and spontaneity, it is not forgiving; it is inherently not amenable to correction or adjustment, demanding decisiveness, experience and a vision or, in Sondag’s case, an interpretive “emotion [to be] recollected in tranquility.”
San Franciscans—especially of the wanderer-lonely-as-a-cloud tribe—are likely to have a strong affinity for Sondag’s evocative pictorial tone poems of our beloved peninsular paradise, which capture meteorology and mood more completely than any of the artist’s photographs must manage to do. The camera never lies, but it’s only a machine. Sondag’s atmospheric paintings of sky overarching the domestic landscape may remind you of Turner (Sea Cliff V and VI, Lake District 16th Avenue, Presidio Drive I, II), and her architectural renderings may suggest Hopper (West Clay I, Anza Trail I) as an antecedent or ancestor, but these art-historical resonances attest to a shared sensibility that finds visual analogues for feeling available to the attentive, transparent, Emersonian observer. —DeWitt Cheng
Lynn Sondag – Fort Baker July 30 2022 – watercolor 22×15 $900
Lynn Sondag – Ecology Trail July 1 2022 – watercolor 15×22 $900
Lynn Sondag – Fort Baker Oct 22 2022 – watercolor 20×26 $1500
Lynn Sondag – MacArthur Meadow May 8 2022 – watercolor 11×15 $450
Lynn Sondag – Sausalito I June 10 2022 – watercolor 11×15 $450
Lynn Sondag – Rob Hill Campground Nov 10 2022 – watercolor 26×20 $1500
Lynn Sondag – Legion of Honor watercolor on paper 17″ x 23″ Framed: 24″ x 31″ $2,000
Lynn Sondag – Golden Gate Park Series October 23 2006 17″ x 32″ framed 23×32 $1750
Lynn Sondag – June 18, 2010 (Ocean-Beach) watercolor on paper 15″ x 22″ $900
Lynn Sondag – Golden Gate Park 2007 watercolor on paper 22″ x 15″ $900
Lynn Sondag – Otranto North Coast VI watercolor on paper 15″ x 11″ $450
Lynn Sondag – West Clay Park IV watercolor on paper 12″ x 15″ $500
Lynn Sondag – West Clay Park III watercolor on paper 15″ x 12″ $500
Lynn Sondag – West Clay Park V watercolor on paper 12″ x 15″ $500
Lynn Sondag West Clay Park II watercolor on paper 15″ x 12″ $500
Lynn Sondag – Anza Trail I watercolor on paper 7 1/2″ x 11″ $200
Lynn Sondag -Dec 22, 2009 watercolor on paper 22″ x 15″ $900
Lynn Sondag – Presidio Drive I watercolor on paper 11″ x 15″ $475
Lynn Sondag – Lobos Creek Valley Jan-2, 2021 watercolor on paper 11″ x 16″ $500
Lynn Sondag – Sausalito II June 10 2022 – watercolor 11×15 $450
Lynn Sondag – Laurel 15th Ave IV – watercolor on paper 19x 16 $900
Lynn Sondag – Laurel I – watercolor on paper 15×11 $450
Lynn Sondag – Laurel II – watercolor on paper 15×11 $450
Lynn Sondag – Laurel 15th Ave II – watercolor on paper 16x 20 $900
Lynn Sondag – Laurel III – watercolor on paper 15×11 $450
Lynn Sondag – Laurel IV – watercolor on paper 15×11 $450
Lynn Sondag – Laurel V – watercolor on paper 15×11 $450
Lynn Sondag – Mountain Lake Park – watercolor on paper 11×15 $450
Lynn Sondag – Rob Hill 2023 – watercolor on paper 25x 20 $1500
Lynn Sondag – Bay Area Ridge Trail 2023 – watercolor on paper 25x 20 $1500
Lynn Sondag – Laurel 15th Ave III – watercolor on paper 19x 16 $900
Lynn Sondag – Laurel 15th Ave I – watercolor on paper 16x 20 $900
Lynn Sondag – Black Laurel I – pencil on paper 12 x 9 $350
Lynn Sondag – Black Laurel V – pencil on-paper 9 x 12 $350
Lynn Sondag – Black Laurel III – pencil on-paper 12 x 9 $350
Lynn Sondag – Black Laurel IV – pencil on-paper 9 x 12 $350
ARTIST STATEMENT
These watercolor paintings convey the natural phenomena – sunlight in particular, unique to the Lake District of San Francisco environment at the end of the day, as viewed from the side walks. This twilight period, the long shadows, the highlights illuminated in the trees, buildings and cars, has a distinct beauty, which for me defines a quiet, calm, and contemplative frame of mind at the day’s end. With a focus on recording the specific light and physical traits of the neighborhood landscape, I hope to inspire a conversation on the relationship between aesthetic appreciation of the environment and a sense of belonging.
BIO
Lynn Sondag has lived in San Francisco since 1995. She uses landscape painting to explore the ways we assign aesthetic value and a sense of belonging to our every day environments. For over twenty years she’s recorded the landscapes and neighborhoods in both in the U.S. and abroad. Lynn began working with themes of landscape painting and environmental aesthetics during her first international artist residency in Dresden, Germany. She’s also lived and attended artist residencies in India, Nepal, Italy, and Denmark, to develop series of paintings under this theme. She’s exhibited in both galleries and public spaces in San Francisco and other cities in the United States.
Lynn received her BFA in Painting from the Savannah College of Art and Design and her MFA in Painting from the California College of the Arts (CCA). She is an Associate Professor of Studio Art in the Department of Art, Art History, and Design at Dominican University of California where she applies her extensive and varied background in arts education and community-engaged art.
CV
EDUCATION
California College of the Arts, Oakland, CA, M.F.A Painting, with honors. 1997
Savannah College of Art and Design, Savannah, GA, B.F.A. Painting, cum laude, 1990
EXPERIENCE
2007- present Chair, Dept. Art, Art History and Design, Dominican University of California
2009 –present Assistant Professor, Dept. Art, Art History and Design, Dominican University of California
2002 – 2007 Adjunct Faculty, Dept. Art, Art History and Design, Dominican University of California
SELECTED SOLO EXHIBITIONS and INSTALLATIONS
2018 “Park Stand,” Watercolors by Lynn Sondag, Fleet Wood Gallery, San Francisco, CA
2016 “Summer’s Lease: Watercolors by Lynn Sondag,” San Marco Gallery, Dominican University, San Rafael, CA
2015 “Presidio Trails: Overlapping and Unfolding Narratives,” San Francisco Public Library, Main Branch, Wallace Stegner Center for Environmental Art, San Francisco, CA.
“Creative Voices,” a public artwork with students of Dominican University and members of Downtown Street Team. Fourth and C Street, San Rafael, CA.
2013 “Facing the Gap: Educational Equity in Marin County,” a public artwork, part of the global Inside Out project. co-facilitated with Julia van derRyn.
2012 “Sea Cliff, Presidio and Ocean Beach,” Mystic Hotel, San Francisco, CA.
2010 “Looking Near and Far,” Triangle Gallery, San Francisco, CA
2008 “New Works,” Triangle Gallery, San Francisco, CA
“A New Horizon Line,” The Gallery, St Louis Public Library, Clayton, MO
2007 “Watercolors,” San Marco Gallery, Dominican University of California, San Rafael, CA
2005 “Ocean Beach Series,” Bay Model Visitor Center, Sausalito, CA “Watercolors,” Triangle Gallery, San Francisco, CA
2003 “Watercolors,” Triangle Gallery, San Francisco, CA
ARTISTS RESIDENCIES AND FELLOWSHIPS
2017 PROYECTO ACÉ, Buenos Aires, Argentina
2009 Artist in Residence, Danish Council of the Arts, Hirsholmene, Denmark
2008 The Bau Institute Fellowship Program, Otranto, Italy
SELECTED GROUP EXHIBITIONS
2013 “Marin Masters,” Outdoor Art Club, Mill Valley, CA
“San Francisco Travel Association Annual Arts Exhibition,” curated by Art Span
2011 “Of Paper / On Paper,” San Marco Gallery, Dominican University, CA
“57 Degrees,” Gallery @ Thoreau Center for Sustainability, San Francisco, CA
“50/50: Fifty Paintings in Fifty Days,” Sanchez Art Center, Pacifica, CA
2010 “Triangle Gallery 50 Years of Artwork,” North First ARTSpace, San Jose, CA
“CCA Alumni Exhibition,” Sanchez Art Center, Pacifica, CA
2009 “Statewide Watercolor Exhibition,” Triton Museum, Santa Clara, CA
2008 “Works on Paper,” Berkeley Art Center, Berkeley, CA
2007 “CCA Centennial Alumni Exhibition,” Mont Clair Gallery, Oakland, CA
2006 “Fog Bay Tree,” Thoreau Center for Sustainability, San Francisco, CA
“New Work by Gallery Artists,” Triangle Gallery, San Francisco, CA
2005 “Bay Area Bazaar,” Pulliam-Deffenbaugh Gallery, Portland, OR
2004 “Looking Once Seeing Twice: Exploring Abstraction& Realism,” 21 Grand Gallery, Oakland, CA
2003 “Unbound Vistas: Artists Interpret the Northern California Landscape,” St Mary’s College, Moraga, CA.
“Celestial Musings,” Triangle Gallery, San Francisco, CA
2002 “Works on Paper,” Triangle Gallery, San Francisco, CA
2001 “40th Anniversary Exhibition,” Triangle Gallery, San Francisco, CA
1998 “Open Spaces: Installation Art,” Sebastopol Center for the Arts, Sebastopol, CA
1997 “Graduate Honors Exhibition,” California College of the Arts, Oakland, CA
1999 – 2000 Vishwa-Bharati, Kala Bhavan; Shantiniketan, India
AWARDS
2013 San Rafael Chamber of Commerce Excellence in Education Award
2011 Academic Excellence Grant, Dominican University of California
2011 Teacher of the Year, Dominican University of California
GRANTS
2018
Marin Community Foundation Arts Education Grant $20,000
2017
Marin Community Foundation Arts Education Grant $20,000
2016
Marin Community Foundation Arts Education Grant $20,000
2015
Marin Community Foundation Arts Education Grant $20,000
2014
Marin Community Foundation Arts Education Grant $20,000
US Bank Grant $5,000
Umpqua Bank Grant $5,000
2013
Marin Community Foundation Arts Education Grant $18,000
US Bank Grant $5,000
2012
Marin Community Foundation Art Education Grant $12,000
Youth Leadership Institute Grant $600
Strategic Initiative Grant, Dominican University For “Urban Community as Canvas for Social
Change” $8,000
2011
Marin Community Foundation Arts Education Grant $12,000
Academic Excellence Grant, Dominican University $1,000
2010
LEF Foundation Grant $5,000
PUBLICATIONS
2011
Transformative Leadership, co-authored white paper for Think Tank 6: Artist Leading Chang
conference, sponsored by Integrative Teaching International, Lamar Dodd School of Art,
University of Georgia, Athens. GA.
Adjusting the Lens: Creating an Aesthetic Appreciation of the Environment, International Journal of the Arts in Society. Volume 5, Issue: 6, pp 79-88.
LECTURES/PRESENTATIONS/WORKSHOPS
2015
“A Conversation About Art & Place,” with Chief Park Officer Michael Boland, Koret Auditorium,
San Francisco Public Library, San Francisco, CA
“Presidio Dialogues: A Conversation with Lynn Sondag,” Presidio Officers Club, San Francisco, CA.
“Watercolor Workshop,” two free public workshops for youth and adults, Latino/Hispanic
Center, San Francisco, Public Library, San Francisco, CA.
“Field Drawing Class,” (3) free public workshops for youth and adults at various locations in the
Presidio National Park, San Francisco, CA.
“Asking Big Questions: Cultivating Critical Consciousness and a Community of Creative
Practice,” presented at the 18th Annual Continuums of Service Conference, Long Beach, CA.
2013
“Inside Out: Facing the Gap: Community-Based Participatory Public Art Project.”
presented at the School of the Visual Arts National Conference on Liberal Arts and the
Education of Artist.
2012
“Building the Architecture of Inclusion for Higher Education.” A collaborative regional and national research project organized by Imagining America and the Center for Institutional Social Change formed to advance full participation and linking diversity and engagement.
“Beauty in the Struggle: Realizing Full Access to Higher Education,” presented at the Annual
Imagining America Conference, NYU, NY,NY.
“Big History: First Year Experience,” presented at the Asian Association of World Historians,
Second Congress of World Historians, Seoul, Korea.
2011
“SL Art Fundamentals”, poster presented at the Annual Imagining America Conference Minneapolis, MN.
“Engaged Learning,” presented at Dominican University of California
“Cultivate, Create, Connect,” presented at the Annual Academic Excellence Grant
Dominican University Academic Showcase, Spring 2011
2010
“Landscape Painting and Environmental Advocacy,” presented at Green, Greener, Greenest:
Romancing Nature Again, Annual Arts and Humanities Conference at the School of the Visual Arts, NY, NY.
“Adjusting the Lens: Creating an Aesthetic Awareness of Environment,” presented at the
International Arts in Society Conference, University of Sydney, Australia.
2009
“Visual Literacy Across Disciplines”, presented at Visual Literacy in Faith Based Institutions Symposium, Graduate Theological Union, Berkeley, CA
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